“Cinema lies, sport doesn’t” claimed Jean-Luc Godard. John McEnroe: In the Realm of Perfection is an unusual exploration of the relationship between film and tennis, in which we observe McEnroe lash out at the refs and more frequently, confronting the cameras watching him.
Gil de Kermadec was a filmmaker who began making instructional tennis videos in the 1960s, and was obsessed with slow motion; he believed that slow motion may be the key to unlocking the secrets of the sport.
Joan Didion: The Center Will Not Hold is an intimate and monumental portrait of literary icon Joan Didion. Filmmaker Griffin Dunne unfolds how the prolific and celebrated writer’s struggles shaped her work and how her work helped shape American culture.
Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where photojournalist James (Jim) Foley pushed the limits of danger to report on the plight of civilians impacted by war.
This new documentary pays tribute to the 11 journalists of French satirical magazine Charlie Hebdo who were killed in the January 2015 attack by radical Islamic extremists. The events galvanized a country as millions gathered...
When doctors diagnosed 19-year-old rock star Jason Becker with Lou Gehrig's Disease, they said he would never make music again and that he wouldn't live to see his 25th birthday. 22 years later, without the ability to move or to speak, Jason is alive and making music with his eyes.
In 1997, Jeff Buckley - considered by critics to be one of the most promising artists of his generation - drowned in mysterious circumstances. Featuring interviews with Buckley's friends and family and rare home-movie footage of the singer on tour, Goodbye and Hello is a unique exploration into the conflicting perceptions of this enigmatic man.
The director Vít Klusák is shooting a film about his father, the well-known composer Emil Viklický, but the latter wants nothing to do with it. This creates a portrait without portraiture, since the director places a double in the role of his father, whom he finds through an advertisement published in newspapers.What is interesting is that Klusák does not know his real father personally, but only meets him (or fails to meet him) for the second time in his life while filming ...y meets him (or fails to meet him) for the second time in his life while filming.