The lost treasure of Sydney Pollack’s observational footage from 1972 has finally surfaced; witness the sonic brilliance of Aretha Franklin as she recorded her bestselling album Amazing Grace in an L.A. Baptist Church.
City, Essay, Film is a series of events hosted by UCL Urban Laboratory to examine the concept and practice of the ‘urban essay film’. This opening screening showcases a number of exemplary urban shorts from across the globe.
“Cinema lies, sport doesn’t” claimed Jean-Luc Godard. John McEnroe: In the Realm of Perfection is an unusual exploration of the relationship between film and tennis, in which we observe McEnroe lash out at the refs and more frequently, confronting the cameras watching him.
Gil de Kermadec was a filmmaker who began making instructional tennis videos in the 1960s, and was obsessed with slow motion; he believed that slow motion may be the key to unlocking the secrets of the sport.
The photography of Harold Feinstein spans six decades and celebrates the diversity his native city, New York. His striking images serve as a love letter to the Big Apple and its people.
In this tender insight into the bumpy road of nurse-training, Director of the brilliant Etre et Avoir Nicholas Philibert explores how young students learn to cope with people in their most vulnerable moments Each and Every Moment (De chaque instant).
9-year-old Torarin is over the moon when his parents get a couple of camels to join them in Hammerfest, the North most city in the world. But things get complicated when they try to incorporate Mongolian training methods into their way of life.
Ella Fitzgerald was 15 years old when she won a talent contest at the Apollo Theater and rose to meteoric success. With access to never-before-seen archives, this is an intimate account of the incredibly innovative musician.
Director Margarethe Von Trotta builds a rich tapestry of Ingmar Bergman’s legacy. Bubbling with anecdotes and insight into the breadth of his influence, this is a film for both fans and newcomers to Bergman’s work.
Juggling motherhood, activism and filmmaking, Merata Mita was a trailblazer and a dynamic figure in New Zealand politics. Her film archivist son Heperi Mita delves into her story to create this rich and personal portrait of the first female Maori filmmaker.