A film about the 1966 North Korean football team who knocked tournament favorites, Italy, out of the World Cup finals in England. The film also provides a rare glimpse of life in modern day North Korea, particularly the lives of the surviving players.
An investigation into the 60-year history of a German multinational corporation that directly profited from the Holocaust, and in recent decades became a leading supplier of nuclear weapons technology to developing nations.
Director Scott Ritter was a chief United Nations weapons inspector in Iraq from 1991 to 1998. In Shifting Sands explores the UNSCOM inspections in Iraq, these inspections were in search of "weapons of mass destruction" during the later years of the regime of Saddam Hussein.
In the summer of 2000, members of the Nobel Peace Prize nominated Voices in the Wilderness, a campaign to stop the economic sanctions against Iraq, committed an act of civil disobedience. Facing up to twelve years in jail and fines in excess of one-million dollars, the delegates went to live in Basra, Iraq with families who survive on the U.N. Oil for Food Program rations. Greetings from Missile Street shows ordinary people living in Iraq, who have paid the price under economic sanctions.
This Academy award-nominated documentary about the Argentinian mothers' movement to demand to know the fate of 30,000 "disappeared" sons and daughters remains as extraordinarily powerful as when it was first released. As well as giving an understanding of Argentinian history in the '70s and '80s, LAS MADRES shows the empowerment of women in a society where women are expected to be silent. LAS MADRES provides a banner of hope in the international struggle for human rights.
Fellini: I'm a Born Liar is a 2002 French documentary based on Federico Fellini's last confessions in Rome in 91 and 92, the film eschews straightforward biography to highlight the Italian director's unorthodox working methods, conscience, and philosophy.
Alan Berliner takes on his reclusive father as the reluctant subject of this poignant and graceful study of family history and memory. What emerges is a uniquely cinematic biography that finds both humor and pathos in the swirl of conflicts and affections that bind father and son. Ultimately this complex portrait is a meeting of the minds - where the past meets the present, where generations collide, and where the boundaries of family life are pushed, pulled, stretched, torn and surprisingly at times, also healed.